Saturday, December 4, 2021

Review: 'Stompbox: 100 Pedals of the World's Greatest Guitarists'

Rock and roll wouldn't be half as vibrant and varied if not for those little boxes that litter the floors before guitarists' Keds. Keith Richards forced his guitar to match the angst of Jagger's lyrics when he stomped his Maestro Fuzz-Tone on "Satisfaction". Hendrix reflected the acid-drenched lyrics of his "Purple Haze" when he filtered his guitar through an Arbiter Fuzz Face. And where would The Edge be without his Korg SDD-3000 digital delay unit? Probably waiting tables in Dublin.

Guitar pedals--or "Stompboxes," as they are affectionately known--aren't just interesting-sounding additions to the musical palette, they are also nifty-looking little gadgets, which photographer Eilon Paz recognized when he put together Stompbox: 100 Pedals of the World's Greatest Guitarists. His luxurious hardcover spotlights the personal doodads of such greats as Hendrix, Marc Bolan, Alex Lifeson, Mary Timony, Graham Coxon, Vernon Reid, Joey Santiago, Thurston Moore, Robby Krieger, and Sarah Lipstate. The artists themselves (or in the cases of departed legends like Hendrix and Bolan, those who knew them) tell the tales of finding that perfect, unique sound and putting it to use. Some of these devices are well worn and well loved, encrusted with rust or little bits of tapes indicating the musician's preferred setting. Some, such as Jack White's Third Man Bumble Buzz and Buzz Osborne's Melvins Pessimiser, are custom made and emblazoned with super-cool custom designs. Editors Dan Epstein and James Rotondi contribute enlightening essays and round up and interview the musicians who use these pedals and the tech geeks who design them for what is not just a definitive history and overview of the guitar pedal, but also damn good looking coffee table book.

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