And Yet Another Three Motown Reissues...

This year Elemental Music is winding down its extensive Motown reissue campaign begun early last year, and the latest slate is its final full one, with three LPs by the label's three top groups. They're all fairly minor records, but each has something to recommend them. The biggest hit and best song among these albums kicks off The Temptations' Puzzle People. "I Can't Get Next to You" was a number-one hit and the first record with their new psychedelic-soul sound to crack the top-five. It's a great track: accessible, angsty, and a little sinister-sounding in the tradition of past classics like "(I Know) I'm Losing You". However, the album as a whole kind of flails around without landing on a specific point-of-view the way the Temps' best albums, such as With a Lot O' Soul and I Wish It Would Rain, do. The topical "Don't Let the Joneses Get You Down" successfully swims in the same tide as "I Can't Get Next to You", but similar stuff like "Message from a Black Man" and "Slave" fall down melodically. The smattering of covers of recent hits ("Hey Jude", "It's Your Thing", "Little Green Apples") feel like the filler they are. The other pieces of Puzzle Pieces are pretty good though.

Review: 3 More Motown Reissues from Elemental Music

As we reach the penultimate month of Elemental Music's year of Motown vinyl reissues we receive three rather different records. The earliest of these is one of Motown's courting-the-old-folks discs, although unlike the label's stodgier efforts in this arena, which tended to force The Four Tops or The Supremes to croon show tunes or corny standards, Marvin Gaye's When I'm Alone I Cry is something else entirely. In fact, Gaye had greater ambitions to be the next Nat King Cole than to be the next Smokey Robinson, so his heart was completely in this album. It's a genuine class act, marrying Gaye's classically fine voice with beautiful big band arrangements. This is a record that actually deserved to win over an older audience of discerning listeners. Moody and gorgeous.

Review: 'Kurt Cobain: The Last Interview'

There's something exploitative and ghoulish about naming your anthologies of interviews with dead celebrities The Last Interview, especially when the last interview with Kurt Cobain in Kurt Cobain: The Last Interview is a pretty insubstantial four-page talk with a guitar mag. Yet even when doing his press obligations with something like Fender Frontline, Cobain couldn't help but move beyond the superficial to discuss his family, coming to terms with his audience, and his desire to move beyond grunge cliches. When he ends it by imagining himself fronting Nirvana as an old man opening for the Temps and Tops, you don't know whether to laugh because the image is so absurd or cry because he was clearly expressing his frustration with the limitations of fame that may have contributed to his fatal depression. Either way, that is a bill I would have paid good money to see.

Review: The Band's 'Stage Fright' 50th Anniversary Deluxe Edition

The Band were responsible for one of the most influential albums of the late sixties when Music from Big Pink helped spark the era’s “return to the roots” trend in 1968. They were responsible for one of the era’s very best albums when they released their perfectly crafted eponymous LP the following year. So The Band could be forgiven if their third album wasn’t quite as fresh or electrifying as their first two. Rather Stage Fright finds the quartet working in the deep groove they’d already etched out. “Strawberry Wine” is a return to the driving backwoods funk of “Up on Cripple Creek”, “Sleeping” is another delicate Richard Manuel vehicle in the model of “Whispering Pines” or “Lonesome Suzie”, and so on.    

Review: Motown's Mono Vinyl Series, Part 1

You can get into the “stereo vs. mono” debate until your ears disintegrate, but when it comes to Motown soul, there is no debate. Mono is the only way to experience the unified power of the Funk Brothers’ and the silky harmonies of The Miracles and The Marvelettes. So the label’s new limited edition series of vinyl cut from original mono master tapes is completely welcome. Most of these discs are long out of print on wax in their definitive mixes, and a couple in the first wave—The Marvelettes’ Sophisticated Soul and The Supremes’ Reflections—have either never been available in mono (the former) or only available in that format in the UK (the latter). 

Review: 'Motown Gold from the Ed Sullivan Show'

After sitting through The 4 Complete Ed Sullivan Shows Starring The Beatles and 6 Ed Sullivan Shows Starring The Rolling Stones it’s kind of a relief to find that Motown Gold from the Ed Sullivan Show includes nothing but music. And I’m not talking about all the opera singers and polka bands and Bavarian folk choirs you’ll skip past on The Beatles and Stones DVDs. Motown Gold jams 37 performances by The Supremes, The Four Tops, Stevie Wonder, The Jackson 5, Marvin Gaye, The Temptations, The Miracles, Gladys Knight and the Pips, and Martha and the Vandellas onto its two discs. Historians may miss the cornball acts and vintage commercials teens had to endure while waiting for the pop. Everyone might take issue with the decision to jumble the chronology and fail to even provide dates for the performances.