Psychobabble's Psychedelic 500: #300 - 276

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's getting hassled by The Man from 300 to 276...

300. The Doors- "Strange Days" (1967), in which The Doors play with some very strange echo effects and make their most legitimately psychedelic song in the proces.

Psychobabble's Psychedelic 500: #325 - 301

 Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's smoking a number from 325 to 301...

325. Os Mutantes- "Adeus Maria Fulô" (1968), in which Os Mutantes give the clearest possible response to the question, "Wait...so what exactly is Tropicália?"

Review: 'The Real Folk Blues' by Muddy Waters and Howlin' Wolf (Chess Acoustic Sounds Edition)

In the early sixties, Chess kept its crosshairs on the emerging folkie scene, hoping it might be a market for the label's blues artists who boasted the kind of "authenticity" that was grade-A currency to the coffee house set. If Muddy Waters's Folk Singer was a testing of waters, then those waters must have been warm and inviting enough for Chess to launch its Real Folk Blues series. Muddy, always the first name in blues, was to get the series rolling in 1965, with a second installment, devoted to Howlin' Wolf, following that same year.

Psychobabble's Psychedelic 500: #350 - 326

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's being crowned lizard king from 350 to 326...

350. The Beatles- "Magical Mystery Tour" (1967), in which The Beatles introduce a glorified home movie of their recent vacation that has led many a Beatlemaniac to opine, "Well, at least the music is nice."

Review: 'Ferris Bueller... You're My Hero'

Imagine crazed Nick Cage as Ferris Bueller, popping his girlfriend Tandy, played by Meg Ryan, out of class so that the couple and their pal—the guy played by Emilio Estevez, not the girl played by Lara Flynn Boyle—can go to a depressing strip club. Ferris is also buddies with that druggie his sister—his twin sister, not his kid sister—meets at the cop station. 

Review: 'Hey! Ho! Let's Go! The Story of The Ramones'

In 2002, Joey Ramone had died just a year earlier. The rest of The Ramones was still alive and Everett True had just published Hey! Ho! Let's Go! The Story of The Ramones. Dee Dee Ramone would die half way through that year. Johnny Ramone would follow in 2004. A year later, an updated edition of Hey! Ho! Let's Go! acknowledged these two grim milestones. 

Review: 'Freddie Mercury: By the Man Who Knew Him Best' (Omnibus Remastered Edition)

The simplicity of its title implies that Freddie Mercury is a biography. The claim in its subtitle, By the Man Who Knew Him Best, implies intimate access into the life of a superstar who was completely audacious on stage but shy and guarded in his private life.

Freddie Mercury: By the Man Who Knew Him Best is not a biography though it does afford intimate access into the life of the Queen frontman. It's a memoir of a limited period in Mercury's life, as Peter Freestone joins Queen's touring crew as wardrobe master in 1980 and sticks around as his  personal assistant until the singer's death eleven years later. Freddie Mercury largely reads as a diary of that time. Freestone writes of his day-by-day duties in a consistently amiable tone. He discusses Mercury's volatile relationships with no more dramatic emphasis than he discusses music video shoots, Freddie's favorite foods, or procuring dry underwear for his boss after a show. Only when discussing his friend's death does Freestone's amiably neutral tone drop. The author goes into much more intimate detail than he does anywhere else in the book.

Psychobabble's Psychedelic 500: #375 - 351

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's mellowing out from 375 to 351...

375. The Doors- "People Are Strange" (1967), in which Jim Morrison sings a jaunty little number about how you shouldn't be a weirdo, apparently without ever passing a mirror in the process.

Psychobabble's Psychedelic 500: #400 - 376

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's piping at the gates of dawn from 400 to 376...

400. Captain Beefheart and His Magic Band- "Abba Zabba" (1967), in which it's probably best not to think too much about Captain Beefheart's apparent interpretation of traditional Native American music and just enjoy how damn freaky it is. 

Review: 'Classic Blues from Smithsonian Folkways Recordings'

In my recent review of Chess's reissue of Muddy Waters's Folk Singer, I noted how the label consciously intended to appeal to the new movement of young folkies that emerged in the early sixties and how that album was a pure blues document regardless of its title. That was not to say that there is no relationship between the blues and folk music. It's just that Waters helped remake the blues into a thoroughly urban form that didn't plainly connect to the blues' rural roots.