Review: 'Ferris Bueller... You're My Hero'

Imagine crazed Nick Cage as Ferris Bueller, popping his girlfriend Tandy, played by Meg Ryan, out of class so that the couple and their pal—the guy played by Emilio Estevez, not the girl played by Lara Flynn Boyle—can go to a depressing strip club. Ferris is also buddies with that druggie his sister—his twin sister, not his kid sister—meets at the cop station. 

Review: 'Hey! Ho! Let's Go! The Story of The Ramones'

In 2002, Joey Ramone had died just a year earlier. The rest of The Ramones was still alive and Everett True had just published Hey! Ho! Let's Go! The Story of The Ramones. Dee Dee Ramone would die half way through that year. Johnny Ramone would follow in 2004. A year later, an updated edition of Hey! Ho! Let's Go! acknowledged these two grim milestones. 

Review: 'Freddie Mercury: By the Man Who Knew Him Best' (Omnibus Remastered Edition)

The simplicity of its title implies that Freddie Mercury is a biography. The claim in its subtitle, By the Man Who Knew Him Best, implies intimate access into the life of a superstar who was completely audacious on stage but shy and guarded in his private life.

Freddie Mercury: By the Man Who Knew Him Best is not a biography though it does afford intimate access into the life of the Queen frontman. It's a memoir of a limited period in Mercury's life, as Peter Freestone joins Queen's touring crew as wardrobe master in 1980 and sticks around as his  personal assistant until the singer's death eleven years later. Freddie Mercury largely reads as a diary of that time. Freestone writes of his day-by-day duties in a consistently amiable tone. He discusses Mercury's volatile relationships with no more dramatic emphasis than he discusses music video shoots, Freddie's favorite foods, or procuring dry underwear for his boss after a show. Only when discussing his friend's death does Freestone's amiably neutral tone drop. The author goes into much more intimate detail than he does anywhere else in the book.

Psychobabble's Psychedelic 500: #375 - 351

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's mellowing out from 375 to 351...

375. The Doors- "People Are Strange" (1967), in which Jim Morrison sings a jaunty little number about how you shouldn't be a weirdo, apparently without ever passing a mirror in the process.

Psychobabble's Psychedelic 500: #400 - 376

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's piping at the gates of dawn from 400 to 376...

400. Captain Beefheart and His Magic Band- "Abba Zabba" (1967), in which it's probably best not to think too much about Captain Beefheart's apparent interpretation of traditional Native American music and just enjoy how damn freaky it is. 

Review: 'Classic Blues from Smithsonian Folkways Recordings'

In my recent review of Chess's reissue of Muddy Waters's Folk Singer, I noted how the label consciously intended to appeal to the new movement of young folkies that emerged in the early sixties and how that album was a pure blues document regardless of its title. That was not to say that there is no relationship between the blues and folk music. It's just that Waters helped remake the blues into a thoroughly urban form that didn't plainly connect to the blues' rural roots. 

Review: 'Iconic Objects of the 1980s'

Like, if I'm gonna read a book called Iconic Objects of the 1980s, I'm not doing it to learn a bunch of stuff like some poindexter. I'm doing it to get totally wigged out by a bodacious buttload of bitchin' eighties junk. I want every page to be a righteous barf-bag of Rubik's Cubes, shoulder pads, Yamaha synths, leg warmers, Casio watches, Swatches, Walkmen, Pac-men, and He-Men. 

Fer sure, there's all that stuff and more on the pages of Agata & Pierre Toromanoff's new book, but when that book is called Iconic Objects of the 1980s, I expect all the pics to be from the eighties! So, like, what's up with that He-Man action figure (don't call it a doll!) from 2002? Last time I checked, 2002 was not in the eighties. What about that bizarre Garbage Pail Kid sticker that looks nothing like a Garbage Pail Kid sticker... you know, the one I could only find on-line on a stock photo site, suggesting that it's probably some kind of bogus fan art or whatever. In fact, a lot of the images used in Iconic Objects of the 1980s are stock photos. That might account for why a shelf of VHS tapes includes Kill Bill, Resident Evil, and some Harry Potter movie. Those are some great movies from the eighties... Not!

Psychobabble's Psychedelic 500: #425 - 401

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's attending the love-in from 425 to 401...

425. Os Mutantes- "Bat Macumba" (1968), in which mid-sixties Batman Fever reaches all the way to Brazil.

Review: Smashing Pumpkins' 'Gish' -35th Anniversary Edition

Smashing Pumpkins debuted in the year of grunge, and though they fit in pretty nicely with that scene's predilection for grimy guitars and self-pity, there was something else going on. The scene lauded punk-level skills, but Billy Corgan and Jimmy Chamberlin were virtuosos, the latter seeming pretty well versed in jazz technique. Along with the noise typical of grunge, there were dreamy waves of psychedelia and goth. Plus Corgan had an innate sense of melody largely absent from grunge, with the exceptions of Kurt Cobain and Mark Lanegan. The Pumpkins were also capable of debuting with a remarkably consistent album that even Nirvana couldn't match with their own first effort. Though it doesn't swell with alterna-hits the way Smashing Pumpkins' next two albums would, Gish may still be their strongest album. At least it's my personal favorite.

Psychobabble's Psychedelic 500: #450 - 426

Welcome back to Psychobabble's Psychedelic 500, in which I count my personal fave psych songs from 500 all the way down to #1! Today, let's see what's being beautiful from 450 to 426...

450. The Byrds- "Old John Robinson" (1968). in which The Byrds take a sort of old-fashioned folk tune and bring it up to date with a baroque string interlude and mega-phasing.