Monday, August 16, 2021

Review: 'Everybody Had an Ocean: Music and Mayhem in 1960s Los Angeles'

A few months ago I reviewed Joel Selvin's Hollywood Eden, an interesting, well-written chronicle of the earliest days of L.A.'s fertile rock scene in the sixties. Because that book halted just as Brian Wilson created "Good Vibrations" and the scene was really about to take off, I described Hollywood Eden as "an extended prologue" and ended the review by suggesting that "further reading is required to learn the complete story of why LA was so important to sixties rock."  

Published four years before Hollywood Eden, Everybody Had an Ocean: Music and Mayhem in 1960s Los Angeles could be that further reading. William McKeen's book covers the same period Selvin's does (though with fleeter feet through the 1950s run-up to the main story and a lot less focus on dopey Jan and Dean), but then he moves beyond the point L.A. really exploded. Selvin cuts his tale short just as The Byrds and Mamas and Papas were getting together. Key L.A. artists such as Buffalo Springfield and The Doors and Joni Mitchell, never get to jump in Selvin's sandbox. However, they're all on board for Everybody Had an Ocean, and instead of Jan and Dean, the far more artistically and commercially pivotal Beach Boys become the track on which the narrative rolls. Natch, that narrative rolls into some pretty dark places as Brian Wilson loses his grip on his group and brother Dennis runs into a certain charismatic psychopath with a grudge against producer Terry Melcher.

McKeen's writing also brims with humor, vulgarity, and the willingness to confront the artists' myriad flaws--all the things a rock writer should bring to the table. I wish he'd given more attention to at least two key L.A. artists: Love, who (with the exception of Brian Wilson, and arguably, The Byrds) made better records than any of McKeen's mostly white main cast of characters, and The Monkees, a massively popular, massively weird group that could not have sprouted anywhere but L.A. Oddly, Selvin's two pages on Mike, Micky, Davy, and Peter are riddled with errors (he states that it took The Monkees a couple of years to take control of their music when it was closer to six months, suggests non-instrumentalist Davy Jones had "musical chops" Micky Dolenz lacked, and repeats Mike Nesmith's line that The Monkees outsold The Beatles and Stones combined as if it was fact, though Nesmith later admitted he was bullshitting). So maybe it's for the best the author didn't devote more time to them. These mistakes also made me question some of the other factoids McKeen lays down, but there's still no question that Everybody Had an Ocean is a highly entertaining read. It's now being published in paperback for the first time.

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