Showing posts with label Judy Garland. Show all posts
Showing posts with label Judy Garland. Show all posts

Monday, July 10, 2023

Review: 'King's Road' Expanded Edition

Carnaby Street may have been synonymous with Swinging London, but the King's Road was swinging centuries before dedicated followers of fashion swarmed Carnaby and a good decade after that street warped into a Disnified version of itself. Henry VIII spent time in the King's Road area. So did Thomas More, Henry James, Noel Coward, Germaine Greer, Christopher Lee, Diana Dors, Aleister Crowley, Bram Stoker, Francis Bacon, and Karl Marx. But it was scene makers like Mary Quant, the Stones, Pete Townshend, and later, the Sex Pistols and The Damned, who really gave the road its character. The Rocky Horror Show debuted there. A Clockwork Orange was filmed at its Chelsea Drug Store, which Jagger immortalized in "You Can't Always Get What You Want". Judy Garland died there. It was where a box for keeping plants alive on long sea voyages was invented, where you could see a monkey ride a pony around a mansion's grounds (if you were around in 1843, that is), where a "mad idiot" was known to visit the night spots with a dyed-green rabbit he loaded up with LSD until the poor pet committed suicide, where a wombat suffocated in a box of cigars, and where the British Spaghetti Queen slipped into a dress comprised of thirty helpings of macaroni. Thirty!

Sunday, March 27, 2016

366 Days at the Drive-In: Day 179


The Date: March 27

The Movie: The Wizard of Oz (1939)

What Is It?: Do you really need to know this? OK, rock dweller, it’s only the most enchanting musical fantasy ever made, full of color, terror, and lovely characters. Its only flaw: the main character’s motivation. Why would anyone wants to flounce around in the pig slop of a sepia Kansas farm when they could be grooving with lions, scarecrows, and flying monkeys in fantasy land?

Why Today?: For many of us growing up way back in the twentieth century, The Wizard of Oz was a TV staple at Easter time thanks to NBC.

Friday, November 8, 2013

Review: 'The Wizard of Oz: The Official 75th Anniversary Companion'


The 75th anniversary of The Wizard of Oz won’t happen until late next summer, but Turner Entertainment Co. is so excited to see its property hit that milestone that it’s rushing several commemorative releases into the shops. The beginning of October saw the debut of a 3D Blu-ray of the film, and the end of the month saw publication of Jay Scarfone and William Stillman’s The Wizard of Oz: The Official 75th Anniversary Companion. You can’t really blame Turner for jumping the gun since this movie has been stirring anticipatory excitement since before its 1939 premiere. Scarfone and Stillman’s book relates a pre-release frenzy the likes of which seems surprising in the pre-Star Wars age, let alone the pre-Internet one. The papers were abuzz with debates over whether the movie should be live action or a cartoon. The casting of Judy Garland was big news, as was the blond wig she was supposed to wear to make her look more like the Dorothy in L. Frank Baum’s book. Baum’s fans were writing threatening letters to producer Mervyn LeRoy to ensure he didn’t stray too far from their favorite book.

All of this electricity indicates how ahead of its time The Wizard of Oz was, and few films still resonate with viewers of all ages as it does. Those dedicated millions will find much to tickle them in The Official 75th Anniversary Companion, which compliments Scarfone and Stillman’s storytelling with choice artifacts from Turner Entertainment’s Oz archives. There’s a rare shot of Garland and Toto with Richard Thorpe, the director originally lined up to make the movie. There’s a copy of the agreement with uncredited director King Vidor stipulating that he would, indeed, receive no credit for his work on The Wizard of Oz. There are black & white and color shots of Garland in her inappropriately glamorous blond wig. There’s also a creepy shot of Ray Bolger in an early makeup that would have made him look more like the Wicked Witch of the West than the Scarecrow; several test shots of original witch Gale Sondergaard, who left the movie because she was too pretty; and production sketches, vintage advertisements, and images of funky old merchandise, such as Wizard of Oz Valentine cards and Wizard of Oz peanut butter. It’s all delightfully designed, finished off with a grab bag pouch containing a bookmark (very functional!), copies of the Witch’s death certificate and the hero’s rewards (Heart! Brain! Courage! Home!), a booklet of lobby card reproductions, a cardboard picture frame for displaying the character headshots included, and more.


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