Showing posts with label Duran Duran. Show all posts
Showing posts with label Duran Duran. Show all posts

Tuesday, March 10, 2026

Review: 'David Lynch' Revised & Updated Edition

Break the code, solve the crime. One thing that draws a lot of viewers to the films of David Lynch is Lynch's refusal to express his intentions on the surface. In an age when every film's message must be explicitly stated for an audience with the attention span of a puppy, David Lynch's dogged refusal to ever play that dull game is especially thrilling. 

It also means that theories about what, say, that blue box in Mulholland Dr. means are more plentiful than donuts in Agent Cooper's mouth. Whether they be glib brain farts or endless exegeses, explanations of what Lynch really meant are everywhere. To the late filmmaker's credit, he rarely validated any, but also rarely outright said any were wrong either.

Thursday, May 3, 2012

Review: ‘The Encyclopedia of New Wave’


I’ve consumed my share of colorfully illustrated books on punk, but they’ve always seemed a little wrong to me. Cheerily eulogizing the musical equivalent of a stick of dynamite up the sphincter kind of misses the point. The overtly commercial, style conscious New Wave, however, is ripe for that kind of overview, and Daniel Bukszpan’s Encyclopedia of New Wave is a doozy. Or maybe I should say “it’s a totally tubular tube of awesomeness that doesn’t make me want to gag myself with a spoon” or something. However you word it, The Encyclopedia of New Wave is a supremely entertaining retro trip through a pop-culture movement that seemed retro while it was happening, even though it was supposed to be, like, totally futuristic.

Bukszpan trots out hundreds of profiles on megastars like Madonna, credible artists like Elvis Costello, obscurities like Q-Feel (seriously… who?), and—errr—Robert Palmer. The profiles are brief but fairly informative. Above all else: They. Are. Hilarious. Bukszpan is a really, really, really funny guy. Consider this quote from his piece on Bananarama:
“The follow-up, Bananarama (1984), was another success, featuring the song “Cruel Summer,” which would appear in the epic Pat Morita film The Karate Kid, which was the moving story of a man getting his car waxed by a teenage boy.”
His profiles on Alphaville and Animotion also made me laugh out loud. Bukszpan must have written his profiles in order, because some of the comic inspiration evaporates as the book moves from A to Z. That still leaves us with a fun look at a diverse menagerie of one-hit, multi-hit, and no-hit wonders. Bukszpan sometimes interrupts his artist profiles with tangents on New Wave fashion, heart throbs, T.V., videos, and movies delivered with the same thrilling irreverence as the rest of the book. And if all those pesky words are too much for your coke-addled, Simon Le Bon-obsessed brain, The Encyclopedia of New Wave will still captivate you with its abundant photos and a design so dazzlingly colorful and awesomely garish you may need your Ray-Bans to view it.

Friday, January 13, 2012

Review: 'I Want My MTV: The Uncensored Story of the Music Video Revolution'

With that barrage of commercials instructing 7-year-old me to call my cable company and demand my MTV, I was hooked on the new basic–cable channel showing nothing but music videos even before it finally came to New York in 1982. It was the classic scenario: my sister and I would come home from school ever day, ditch our textbooks in the nearest wastebasket, plop a few inches from the T.V. screen, and vegetate until our parents came home and read us the riot act about consuming so much sexed-up, violent crap starring weird-looking specimens like Boy George, Madonna, and the increasingly cadaverous Mick Jagger. That, of course, just deepened our addiction to MTV. Years away from even becoming a record buyer, I couldn’t consume enough music videos. I wanted my MTV, and when I got it, I OD’ed. By the time that initial golden age passed, my tastes evolved beyond new wavy one-hit-wonders and made no room for shitty hair metal. I’d pretty much had enough of MTV at that mid-‘80s turning point, even as I was still strangely compelled to spend hours and hours watching it. Perhaps Martha Quinn and J.J. Jackson were too deep in my bloodstream to purge them completely.
All written content of Psychobabble200.blogspot.com is the property of Mike Segretto and may not be reprinted or reposted without permission.