Magical Mystery Tour and Yellow Submarine are somewhat less conventional than Sgt. Pepper's or Abbey Road because the former soundtrack was intended to be released as a double-EP set and the latter was split between Beatles recordings and George Martin's incidental music. However, the latest entry in Bruce Spizer's "Beatles Album" series is as worthwhile as any of the others. Perhaps it is more so since Magical Mystery Tour and Yellow Submarine are the rare Beatles projects to actually receive some negative criticism. Spizer allows the critics to speak their piece via excerpts from period reviews (a particularly nasty assessment of the Magical Mystery Tour record comes from Rex Reed, the film critic famous for hating absolutely everything... and starring in the infamous stink-bomb Myra Breckenridge. A-hem). However, the tone is mostly informational and celebratory. 20-pages of fan recollections are suitably rapturous. More worthwhile is the welter of full-color photos of record sleeves and labels, period adverts, promo materials, and magazine covers and the wealth of information about the recordings and releases of the discs Spizer provides.
Spizer also sweeps the period recordings "Lady Madonna", "The Inner Light", "Across the Universe", and "You Know My Name (Look Up the Number)", as well as all of the singles included on the Magical Mystery Tour L.P. released in the U.S., into the conversation. He even makes room for details about George Martin's Yellow Submarine orchestrations, the incidental music used in Magical Mystery Tour, and the Beatles Saturday morning cartoon that was a somewhat misleading precursor to the far finer Yellow Submarine feature film. Magical Mystery Tour and Yellow Submarine also hosts some guest essays, though I generally prefer Spizer's contributions. He humbly credits himself as "compiler" on the book's cover, but he is most definitely an author and sincerely fab one at that.