Tuesday, December 15, 2020

Review: 'The Rolling Stones'

For a band regularly derided as ugly and dirty throughout their nearly sixty-year career, The Rolling Stones' mugs have sure sold a lot of books. Originally published in 2014, editor Reuel Golden's The Rolling Stones was just the latest in a long history of Stones-centric photo books. Most of its images had been previously published, but since it's a Taschen book, it is atypically comprehensive. Its more than 450 pages are packed with pictures of them from their most photogenic days in the sixties to sessions for their most recent album at that time, 2005's A Bigger Bang. Half of those 450 pages focus on the sixties with a variety of publicity photos, album cover sessions, and recording studio documents. Surprisingly few catch them on stage in their most vital days, though concert pics become the dominant type when The Rolling Stones starts sucking in the seventies. Hilariously, and thankfully, the book sprints through the Stones' most execrable decade, the eighties, in just ten pages, while about twenty each are allotted for the inessential nineties and twenty-first century. 

Because so many of these images will be familiar to Stones fans, The Rolling Stones will be most valuable to fans purchasing their first Stones photo book or others looking to consolidate. I've seen my share, but some of these were new to me, such as a shot of Brian Jones holding a (presumably) psychedelic mushroom aloft in 1967 and a shot of Keith Richards's pre-Redlands living room, which is as Spartan as a hotel room. My favorite shots are the LP-cover outtakes, but that's just because I can never get enough of seeing Charlie Watts pal around with a donkey.

Taschen is now publishing an updated edition of The Rolling Stones, though the only post-2014 photos can be found in the memorabilia and discography sections. Perhaps more pics were added to the sixties and seventies. I doubt anyone would complain about that. 

All written content of Psychobabble200.blogspot.com is the property of Mike Segretto and may not be reprinted or reposted without permission.