Thursday, February 27, 2020

Review: 'The Everly Brothers-The Cadence Recordings'


The two albums The Everly Brothers made for their first label, Cadence, aren’t necessarily their two most essential (that honor goes to their first two Warner Bros. LPs), but The Everly Brothers and Songs Our Daddy Taught Us do contain a few unquestionably essential numbers. These include “Bye Bye Love” and “Wake Up Little Susie” on the former and “That Silver Haired Daddy of Mine” on the latter. Mostly, the first two Everly Brothers albums spotlight the duo’s two sides in an extreme fashion that would be more organically blended on their next albums.

The Everly Brothers largely portrays Phil and Don as rockers, both with two of their sprightliest hits and with covers of raw material like “This Little Girl of Mine”, “Leave My Woman Alone”, “Keep A-Knockin’”, “Be-Bop-A-Lula”, and “Rip It Up”. Needless to say, the Everlys are no Ray Charles, Gene Vincent, or Little Richard when it comes to breaking a sweat, but they still comport themselves well by rearranging these songs to suit their sweeter, cheerier style.

They guys are more at home with the idiosyncratic trad country and folk songs of Songs Our Daddy Taught Us. This is an extreme left turn after their electrified debut. The arrangements are as Spartan as can be: just two voices, guitar, and string bass (or in the case of “Barbara Allen”, guitar and autoharp). The tempos are all slow to mid. The tone throughout is dusky. Those looking to go for a swing at the hop will be disappointed. Open-minded listeners will be intoxicated.

Those who are curious about The Everly Brothers’ two unusual Cadence albums and crave the hits would do well to check out The Everly Brothers-The Cadence Recordings, a new triple disc set comprising the two albums on dedicated discs and a third platter of singles and rarities. That CD is where you’ll get your fill of absolute essentials such as “All I Have to Do Is Dream”, “Claudette”, “Devoted to You”, Take a Message to Mary”, “(’Til) I Kissed You”, and “Let It Be Me” all with the organic, punchy sound typical of an Edsel Records release.

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