Although we may now mostly think of the Man of Steel as a
star of comic books and movies, Supes also had a very unique life in newspaper
comics sections. The strips are where Superman first tangled with Lex Luthor
without Luthor’s hair getting in the way. It is where he first tricked that
fifth dimensional imp Mr. Mxyzptik to say his own name backward. So it was a no
small thing when that life essentially came to an end 27 years after it began
in January 1939.
The Library of American Comics/IDW’s latest anthology of
full-color Superman strips compiles his final adventures as the star of his own
series. Coincidentally perhaps, it reads like a Greatest Hits of everything
that made his weekend antics such whimsical fun. Once again he travels through
time. Once again our hero uses his army of robots made in his own image to get
out of scrapes. He blasts into space to deal with weird intergalactic cultures, temporarily
loses his powers, and heads back to Smallville one last time. There are also
prominent spots for his main friends and foes so that we can wave our final
farewells to Lois, Jimmy Olsen, Luthor, and Mr. Mxyzptik, who must have been particularly
dear to the heart of editor Mort Weisinger considering how often he pops back
into our dimension throughout Superman:
The Silver Age Sundays 1963 – 1966.
Aside from the most fleeting of references to the contemporary conflict in Southeast Asia, The Munsters, and the Sontagian concept of camp, these strips also sit well outside the tumultuous times in which they were created. In other words, they are as timeless as their star. All of this makes for a book that feels like the definitive volume in The Library of American Comics/IDW’s lavish hardcover series of Superman newspaper strips.
Aside from the most fleeting of references to the contemporary conflict in Southeast Asia, The Munsters, and the Sontagian concept of camp, these strips also sit well outside the tumultuous times in which they were created. In other words, they are as timeless as their star. All of this makes for a book that feels like the definitive volume in The Library of American Comics/IDW’s lavish hardcover series of Superman newspaper strips.