Monday, March 25, 2019

Review: 'The Beatles through a Glass Onion: Reconsidering the White Album'


Right behind its status as the most sprawling and eclectic of The Beatles’ albums, “The White Album” is best known as The Beatles’ most fragmented record. It is known as the album on which the Fab Four essentially became four fab individuals masterminding their own sessions while either using the other three guys as backing musicians or approaching each track as a veritable solo endeavor.

Ironically, The Beatles through a Glass Onion: Reconsidering the White Album is one of the most cohesive multiple-author essay collections I’ve ever read. In fact, most of its thirteen essays read more like chapters in a single-author work. Each of those section shares the same seriousness, competence, impersonal tone, clarity, and tendency to quote large chunks of other authors’ works. This lends the book a straight readability that the usual inconsistent multiple-author collection does not offer. More than one author even shares the same quirks, such as the inclination to compare “The White Album” to Joyce’s Ulysses and the mistaken belief that “Why Don’t We Do It in the Road” immediately follows “I Will”.

The stylistic consistency of The Beatles through a Glass Onion would be little more than mildly interesting if the authors didn’t unite to provide an illuminating portrait of an album that has already been very widely discussed. Yet they accomplish this by keenly examining all of the album’s key components—its writing, its recording, its cast of characters, its politics, its unique contributions by the four individual Beatles, etc.

Towards the end of the book there are quirkier chapters on the album’s influence that begin to buck the uniformity of all the preceded it. These includes discussions of Tori Amos and U2’s covers of “Happiness Is a Warm Gun” (one of the more academic chapters) and Danger Mouse’s mash up of “The White Album’s” and Jay Z’s The Black Album (a slightly more lyrical chapter than the others). Because they are about less essential topics, the mild stylistic variations are fitting rather than jarring and help widen the perspective of an album with a particularly sprawling world view.  

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