Like Steven Van Zandt, Steve Stevens, Lenny Kaye, Robin, and
Kato, Mick Ronson was the rare sideman who managed a degree of fame in his own
right. Yet most people do not realize the extent of the guitarist’s influence
on David Bowie or Ronson’s own talent. He was the ordinary bloke from Hull to
Bowie’s Starman from Mars and Bowie’s main man behind the curtain. Mick Ronson
wasn’t just the definitive glam guitarist; he was a multi-instrumentalist,
producer, and an arranger who actually knew how to write an orchestral score
(listen to “Life on Mars?” and succumb to the awe). Without Ronson, the first
major phase of David Bowie’s career would have been utterly different, and most
likely, not nearly as spectacular.
These are the things we learn in Jon Brewer’s 2017
documentary Beside Bowie: The Mick Ronson
Story, and they are somewhat reinforced in the film’s soundtrack now
receiving a vinyl and CD release via Universal Music (I received the vinyl edition for review purposes). Ronson’s work was so varied that
a 14-track record couldn’t capture it in any complete way. His instrumental,
arranging, and production work with Lou Reed, Bob Dylan, The Rich Kids, and
Morrissey are not represented, but fortunately, rights were cleared for a dose
of classic Bowie (“Moonage Daydream”, “Cracked Actor”, “Time”), Ian Hunter
(“Once Bitten, Twice Shy”), Elton John (an early, epic version of “Madman
Across the Water” that isn’t used in the film even though it’s a veritable
Ronson demo reel), and Michael Chapman (“Soulful Lady”, another cinematic
no-show).
Most importantly, there are four representatives of Ronson’s
solo career, though they are limited to the material intended to be included on
a third album that didn’t materialize until 1999 and the final album he
recorded, 1994’s Heaven and Hull. Thus,
the representation of his work continues to be lopsided on this soundtrack, and
Joe Elliott’s version of “This Is For You”, a rambling bit of improvised piano
from Mike Garson, and even Ronson’s own cover of “Like a Rolling Stone” are not
especially essential… though that last one may miss the mark simply because a
song so associated with its creator doesn’t cover well (no offense, Jimi). “Midnight
Love” from Heaven and Hull may be
significant because Ronson handles all of its instruments himself, but the song
is muzak. Nevertheless, there is an inarguably healthy clutch of essential
music on Beside Bowie: The Mick Ronson
Story, and you can’t go wrong with the Elton/Bowie/Hunter-dominated first disc.