With his sparse hair and prominent spectacles, Bob Balaban
is best known to comedy fans for being in front of the camera in stuff like “Seinfeld”
and Christopher Guest’s comedies. Behind the camera, Balaban has more cult
appeal as the director of a couple of truly odd horror-comedies. In 1989, he
made Parents, a tale of childhood
fears and cannibalism that remains a uniquely funny and chilling masterpiece
despite its tonal inconsistencies. I doubt anyone would call 1993’s My Boyfriend’s Back a masterpiece, though
it hits a more consistent tone across its swift 85-minutes. That tone: goofy. A
lot of critics griped about the picture’s goofiness, some even claiming that
this early zombie-comedy would have been better if it peered at its material
through a darker glass, but that extreme goofiness is what gives the movie its
own unique feel and appeal.
Andrew Lowery (the lone unknown in a sea of familiar
character actors and future stars) is Johnny Dingle, a doofus
who’s been in love with Missy McCloud (B-horror staple Traci Lind) since they
were tots. Teenage Johnny finally resolves to win Missy with an asinine
convenience-store-robbery scheme that ends with him getting plugged multiple
times by a very real gunman. With his dying breath, Johnny asks Missy to go to
the prom with him. Hardly expecting Johnny to live that long, Missy says, "yes."
Johnny croaks. Johnny gets buried. Johnny refuses to let any of that get in the
way of his dream date.
The genuinely funny running joke in My Boyfriend’s Back is that Johnny is so ordinary that no one
reacts to the fact that he has crawled out of the grave with anything more than
mild surprise. This makes way for lots of absurdity in the Better Off Dead vein but with an added twist of grotesquery
befitting its more monstrous subject matter (Johnny’s doting mom, the
perpetually terrific Mary Beth Hurt, thinks nothing of procuring little kids
and corpses for her son to munch on).
Not everything works as well as that. There are a couple of
painfully unfunny fantasy sequences (though the one in which Paul Dooley taunts
Johnny to eat him gets it right). Harry Manfredi’s bad eighties-sitcom score
attempts to give the comedy an extra goose of lightheartedness it really
doesn’t need. The cop-out ending feels more like the work of a dumbass test
audience than a screenwriter. But don’t let any of that put you off because
none of it keeps My Boyfriend’s Back
from being entertaining and amusing as a whole. And despite an obvious lack of
budget (they couldn’t even spring for more than a few pats of light pancake
makeup to zombify Johnny), it’s also a nice looking film with its cheerfully
primary palette, the occasionally inserted E.C.-horror-comic-style splash page,
and a couple of spookily atmospheric exterior night shots. Mill Creek
Entertainment’s new blu-ray represents those elements with pleasing clarity and
naturalness, and only the occasional white speck manages to blemish the
picture. The disc is as bare bones as Paul Dooley at the end of that fantasy
sequence, but I’m sure the select fans who appreciate the underappreciated
charms of My Boyfriend’s Back will
just be happy that it got a Blu-ray release at all.