The Stones had only been “retired” for three years between
the releases of the dud Dirty Work in
1986 and Steel Wheels in 1989, but in
those days, that was a pretty long period of inactivity for the band,
especially since they’d been off the road for a lot longer than three years. When
they got back on it for an international, big production tour, they were in
danger of playing back up to the giant sets, fireworks, and inflatable monster hookers
that dwarfed them onstage. Of course, Mick Jagger is not a performer who’d
allow himself to be upstaged by a balloon, and though the new material was
hardly the return-to-form that a lot of critics cried it was at the time, he
still managed to put on a hell of a show (I was lucky enough to catch one at
Shea Stadium). Sure, the act had essentially become cabaret, but it was some
very crowd-pleasing cabaret, and the resurrection of long-dormant sixties chestnuts
like “Paint It Black”, “Ruby Tuesday”, and “2000 Light Years from Home”
(performed on stage for the first time ever) were wonderful surprises
Fairly early in their tour, the Stones visited Japan, and
their reinvigorated state is well captured on the new Live at the Tokyo Dome Blu-ray Audio/CD combo pack. Without the
images of props, stage set, and guys in their forties, the CD presents a pretty
nice illusion of a band in their prime ripping through nasty stuff like “Sympathy
for the Devil”, “Tumbling Dice”, “Happy”, “Midnight Rambler”, and even “Harlem
Shuffle”, which sounds a hell of a lot more vital here than it did on Dirty Work. Although dated synth sounds
sometimes get in its way (ugh…those “pan pipes” scurrying all over “Ruby
Tuesday”), the poppy and psychedelic material also contributes to the feeling
that these guys are younger than they were at the time.
Actually, the video incarnation of Live at the Tokyo Dome works its illusions pretty well too since
47-year old Mick and Keith look so much younger in this movie than they do
today. Jagger’s act is relatively reserved compared to some of his more cartoonish
antics, though you might want to do yourself a favor and look away from the
screen when he starts doing a naff version of tai chi during “2000 Light Years
from Home” and stick your fingers in your ears when he starts doing his
misogynistic asshole routine during the bridge of “It’s Only Rock and Roll”.
The SD video presentation also erases some wrinkles. All
things considered, the picture looks good despite the inherent softness of
video. The colors really pop, particularly Mick’s green blouse and Ronnie’s red
blazer. The picture only becomes a problem when the stage and video
presentations clash. During “Almost Hear You Sigh”, the mood lighting on stage
turns the picture into a crimson blob. The HD audio, however, is consistently
fine, completing the illusion with the sound of a band that could still hit
hard despite the synthesizers, balloons, tendency to finish songs with a show
bizzy flourish, and Jagger’s occasional embarrassing pose.