A good horror movie can be a grueling experience. All of
that hacking, cracking, and killing can really wear you down if there isn’t
some relief. Fortunately smart filmmakers know this to be true and tuck moments
of levity, and even sheer delight, into their films to give us viewers a
well-earned break. Often this pleasure may come directly from a single
character played by a most singular actor or actress. I think of these as
“treat” performances. These performances deliver waves of delight amidst the
horror, whether the character is a beacon of sweetness in a sea of bitterness
or is simply a lot of fun to watch despite being really, really evil.
Still not sure what I mean? Well, then kick off your hobnail
boots and peruse the following Ten Treat
Performances in Classic Horror Movies!
(spoilers ahead)
1. Dwight Frye as
Renfield in Dracula (1931)
2. Bela Lugosi as
Ygor in Son of Frankenstein
(1939)
Dracula is without question Bela Lugosi’s defining role. It is not necessarily his greatest performance. To see that, please refer to the second sequel of Frankenstein. While the first one, Bride of Frankenstein, seemed to house nothing but treat performances—Ernest Thesiger! Una O’Connor! Colin Clive! Valerie Hobson! Karloff!—there’s really only one in Son of Frankenstein. At this point, Karloff was running low on enthusiasm for playing his beloved monster, which is detectable in a mostly non-descript performance. New additions Basil Rathbone and Lionel Atwill definitely give memorable performances, but I’d hardly label either as a treat. No, that distinction belongs to Bela, who truly relishes his turn as the film’s real villain. While Dracula is icy and imposing, the broken-necked Ygor exudes white-hot nastiness. The grin never leaves Bela’s face as he goads Frank’s son into revving Karloff’s beast and continues causing mischief for the rest of the picture. All of the personality of Son of Frankenstein radiates from Lugosi’s uncommonly committed performance.
3. Boris Karloff as
Cabman John Gray in The Body Snatcher
(1945)
4. Ruth Gordon as
Minnie Castevet in Rosemary’s Baby
(1968)
No character on this list is responsible for greater horror
than sweet, little Minnie Castevet of Rosemary’s
Baby. She manipulates a dim-witted, amoral actor into getting his wife
raped and impregnated by the devil, himself. Not to mention that she may be the
nosiest neighbor on film. Ruth Gordon alleviates her character’s mountain of
sins with a performance that is never anything less than 100% charming. She’s
so cute and funny (“chocolate mouse”!) as miniature Minnie it’s hard to ever
hate her. Even at the end of the movie when Rosemary learns what was done to
her, she’s still a little sweetheart, allowing Rosemary to be the mother to her
demonic child she kind of wants to be.
5. Peter Cushing as
Arthur Grimsdyke in Tales from the Crypt
(1972)
From victimizer to victim. Tales from the Crypt animates the gruesome, two-dimensional comics
of E.C.’s legendary horror line. While all of these stories are great fun, they
are generally as two-dimensional as their paper inspirations. The one grand
exception is Peter Cushing’s turn as Arthur Grimsdyke in the tale titled “Poetic
Justice”. Arthur is just a lonely old widower who wants to hang out with his
pets and the neighborhood kids who regard him as a grandfather figure. Seeing
him play with the kids is a lot more like watching charming Mr. Cushing being
himself than watching an actor acting. We can imagine the fun continued even
after director Freddie Francis yelled, “Cut!” Sadly, Grimsdyke is not all fun,
as his nasty neighbor convinces the community his activities with the kids are
less than pure, pushing the old man toward depression and suicide (and, since
this is E.C. we’re talking about, revenge from beyond the grave). I can’t say
this trajectory is a treat, but Cushing continues to marvel as he plays
Grimsdyke’s sadness with total authenticity. Still stinging from the recent
death of his adored wife, Helen, Cushing really is grieving on screen, which
further inflates the heart of the piece.
6. Paula Prentiss as
Bobbie Markowe in The Stepford Wives
(1975)
Stepford is the most misogynistic little community in
America. As soon as one of its young wives start thinking independently, she is
immediately replaced with a robotic lookalike that’s wants nothing more than to
please its man. This is always a terrible outcome in The Stepford Wives, but you never feel the terribleness as acutely
as when Bobbie Markowe gets Stepford-ized. That’s because Paula Prentiss is so
lovable as the main character’s best friend. Anyone would want her for a best
friend, with her bawdy humor, subversive behavior at boring suburban parties,
and awesome lunches of Scotch and Ring Dings. Largely known as a comedic actress,
Prentiss brings her usual levity to the vivacious character she plays. When one
so full of life is stripped of her individuality and turned into Betty Crocker,
it is one nasty trick. The rest of her performance is a total treat.
7. Piper Laurie as
Margaret White in Carrie (1976)
The first adaptation of Stephen King’s first book actually
has a few treat performances. Nancy Allen and John Travolta as the jerkiest
couple in school are a lot of fun to watch. But the most fun is the one who’s
really responsible for all the carnage little Carrie White causes. As her mom,
Margaret White, Piper Laurie is both terrifying and super-camp hilarious. Laurie
actually thought the film was a comedy when she first read the script, and
Brian DePalma seemed to have allowed her to continue down that path when he
started filming. So as awful as Jesus-freak Margaret White is—and she is
really, really awful—she’s always a ton of fun to watch… even when she’s
locking her scared daughter in a closet with the scariest religious statue in
cinema history.
8. Griffin Dunne as
Jack Goodman in An American Werewolf in
London (1981)
An American Werewolf
in London is another picture with its share of treat performances, but one
stands out among the pack. Like Paula Prentiss, Griffin Dunne is an actor
usually cast in comic roles, and like Piper Laurie, he plays Jack Goodman as if
he’s starring in a comedy. Indeed, many categorize An American Werewolf in London as a horror-comedy even though
director John Landis insists that wasn’t his intention. Obviously, the director
of Animal House and Trading Places knew his film contained a
lot of humor, but it does work as a full-blooded horror movie with some of the
scariest scenes on film. Some of the grossest are seeing recently deceased Jack
Goodman decomposing while acting as friendly and funny as ever. His chummy sex
talk and antics with a Mickey Mouse doll really alleviate the horror of his
hamburger-faced appearance. So does the natural charisma of Griffin Dunne.
9. Kyle MacLachlan as
Special Agent Dale Cooper in Twin Peaks:
Fire Walk with Me (1992)
Although it featured what may be the most heinous crime ever
given center stage on a network drama, “Twin Peaks” was simply busting with
delights: the comic relief of Lucy and Andy, the sexy characters, the fragrant
Douglas Fir trees, the delicious cherry pie, and the way outsider Agent Dale
Cooper reveled in it all. When David Lynch made that heinous crime the focus of
the feature-film extension of the series he co-created, there wasn’t much room
for the TV show’s many treats. Thus Twin
Peaks: Fire Walk with Me is an excellent but unrelentingly grim movie. Even
the opening passage in Deer Meadow, which contains most of the film’s overt
humor, is downbeat compared to the series. Then we finally get some relief with
the appearance of our old friend Dale Cooper. MacLachlan didn’t really want to
be in the movie, so he only allowed Lynch a few days of his time, which means
we only see Coop for a few minutes. But those few minutes are comfortingly
spent, whether he’s back chatting with Diane on his little cassette recorder or
guiding Laura Palmer’s soul to an afterlife warmer and more welcoming than nightmarish
Twin Peaks. Kyle is a cuddly blanket in a box of nails of a movie.
10. William Castle as
William Castle in Every William Castle Movie Featuring William Castle
Here’s another bit of a cheat, because really, few
filmmakers made horror movies more resplendent in treats than William Castle.
Vincent Price in House on Haunted Hill?
Margaret Hamilton in 13 Ghosts?
Illusion-O? Emergo? Percepto? All among cinema’s neatest treats. Still, the
biggest treat in Castle’s treat-loaded movies is the big lug, himself. The
filmmaker often appeared in the first reel, a smile effortlessly stretched
across his grandfatherly face, to explain his latest film’s latest gimmick.
Even at 40, I still want to crawl through the screen and sit on his lap. The
man is a treat.