As I've written on this site more times than I care to Hammer Horror is in a sorry state in the United States. While select titles have slipped out in hi-def from several production companies (Shout! Factory, Millennium Entertainment, Synapse Films), the studio's most essential films remain MIA. Two of the most essential are Hammer's first Dracula sequel, Brides of Dracula, and its one and only werewolf picture, Curse of the Werewolf. Both of these films are the property of one of the biggest studios with Hammer rights in the U.S., Universal, and both were originally released on DVD in 2005 as part of the "Hammer Horror Series 8-Film Collection", which also included Kiss of the Vampire, Paranoiac, Night Creatures, Nightmare, Evil of Frankenstein, and Phantom of the Opera.
On September 2, Universal will rerelease "Hammer Horror Series 8-Film Collection" on DVD even though this double-disc collection isn't even out of print. The press release made no mention of a blu-ray version, and my inquiry to Universal regarding the hi-def fates of these films has gone unanswered as of this writing. OK, so Hammer doesn't quite have the sweeping rep and influence in the US it enjoys in the UK, but this is still pretty confounding treatment for some unforgettably horrific films that would look astounding on blu-ray. I'd suggest starting one of those online petitions calling for their release on blu-ray if I believed that sort of thing accomplished anything. For now we can only hope that Universal--the studio that did right by its own horror legacy with its "Universal Classic Monsters: The Essential Collection" blu-ray box in 2012-- comes to its senses... or gets its throat torn out by Oliver Reed.
Thursday, June 19, 2014
Thursday, June 12, 2014
Review: The Criterion Edition of 'Picnic at Hanging Rock'
With a sudden boost of government assistance by way of Prime
Minister John Gorton, Australian cinema really came into its own in the
seventies. The boom gave us some extraordinary films, such as Nic Roeg’s
dizzying Walkabout and Ted Kotcheff’s
brutal, horrifying Wake in Fright.
But the most enduring masterpiece of that era is Peter Weir’s Picnic at Hanging Rock. Faithfully
adapted from Joan Lindsay’s lyrical novel, Picnic
at Hanging Rock is a dreamy and rather creepy allegory of Victorian sexual
repression.
Monday, June 9, 2014
Farewell, Rik Mayall
For now, a couple of great Rik and Rick moments:
Rick's first encounter with a tampon (featuring young Jennifer Saunders!):
Rick, Neil, and Vyvyan Sings My Generation:
Subscribe to:
Posts (Atom)
All written content of Psychobabble200.blogspot.com is the property of Mike Segretto and may not be reprinted or reposted without permission.