I doubt Procol Harum set out to found two new genres with
their first two albums, but they did. On their eponymous debut, they married
rock, soul, and Bach at his most funereal with Keith Reid’s death-obsessed
lyrics and Goth rock was born. On the sophomore Shine On Brightly, they fused the length and suite-structure of The
Who’s “A Quick One While He’s Away”, the recording innovations and grandeur of Sgt. Pepper’s Lonely Hearts Club Band,
and their own tricky musicianship to make the first true prog rock record. Procol Harum and Shine on Brightly also contained the memorable songwriting and
soulful execution that make them great albums regardless of any pioneering
achievements.
In 2009, Salvo Records rereleased Procol’s opening salvos
with a slew of bonus tracks, informative liner notes by the band’s biographer
Henry Scott Irvine, and pretty good remastered sound by Nick Robbins. However,
“Conquistador” and “A Christmas Camel’ on the first album and everything on the second ran at the
wrong speed, causing Gary Brooker to sound more like Alvin the Chipmunk than
Ray Charles. Six years later, Procol
Harum and Shine on Brightly have
passed to Esoteric Recordings and remastered by Ben Wiseman from the original tapes. The speed errors
have been corrected. Sections of “In Held ’Twas in I” are as much as nine seconds longer than their Salvo counterparts. Both albums also sound warmer and deeper than the Salvo
ones. Shine on Brightly sounds particularly extraordinary.
The Esoteric releases are each available in two formats. Procol Harum arrives as a single disc
edition in its original mono mix with four single sides as bonus tracks, and a
double-disc version that includes the 1971 stereo remix and additional outtakes
and BBC sessions. Shine on Brightly
comes as a single disc edition with the original stereo mix and three single
sides and a triple-disc edition with the original mono mix, BBC sessions,
outtakes, and backing tracks. I received the austere single-disc editions to
review, so I cannot provide any information about the bonus material, but
judging from the sound quality on the single-disc ones, I’d guess that Procol’s
fans will agree that Esoteric is doing right by one of Rock’s most influential
yet underrated bands.