Grantley and Parker’s personal opinions about The Who’s music aren’t without merit: they articulate some of the issues with Endless Wire very well, even if they're too hard on the record overall. Yet, they provide a lopsided portrait of The Who by not delving deeply into the music until after the band's ‘60s golden era. Those looking forward to detailed explorations of My Generation, A Quick One, and Sell Out will be disappointed by the writers’ cursory treatment of these classics. They also fail to mention a lot of the B-sides that didn’t make the running orders of the ‘90s reissues, such as “Dr. Jekyll and Mr. Hyde”, “Dogs Part II”, “When I Was a Boy”, and “Here for More”. I still recommend The Who by Numbers to any serious fan who hasn’t read absolutely everything available about The Who, because Grantley and Parker do such an ace job of cherry picking enlightening tidbits from everything they’ve read. And they’ve read a lot.
Thursday, May 12, 2011
Review: 'The Who By Numbers: The Story of The Who Through Their Music'
Grantley and Parker’s personal opinions about The Who’s music aren’t without merit: they articulate some of the issues with Endless Wire very well, even if they're too hard on the record overall. Yet, they provide a lopsided portrait of The Who by not delving deeply into the music until after the band's ‘60s golden era. Those looking forward to detailed explorations of My Generation, A Quick One, and Sell Out will be disappointed by the writers’ cursory treatment of these classics. They also fail to mention a lot of the B-sides that didn’t make the running orders of the ‘90s reissues, such as “Dr. Jekyll and Mr. Hyde”, “Dogs Part II”, “When I Was a Boy”, and “Here for More”. I still recommend The Who by Numbers to any serious fan who hasn’t read absolutely everything available about The Who, because Grantley and Parker do such an ace job of cherry picking enlightening tidbits from everything they’ve read. And they’ve read a lot.
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