With production as crystalline as a snowflake, harmonies as
sweet as candy canes, and an image as squeaky clean as Tiny Tim’s, Motown was
the secular label most suited toward churning out Christmas discs. And that is
just what they did during their hey day: The Supremes’ Merry Christmas in 1965, Stevie Wonder’s Someday at Christmas in 1967, and a trio of them by The
Temptations, Smokey Robinson and the Miracles, and the Jackson 5.
Each record brought something a bit different to the
Christmas table. The Temps brought their usual professionalism and consistency.
Stevie brought original composition, and in the case of his title track, a sharp
point of view. The Supremes brought traditionalism in terms of their orchestral
arrangements. The Miracles brought a surprising sense of experimentation. Of
course, considering their age, The Jackson 5 were best suited to singing about
every kid’s fave holiday, and their take on the holiday was the most correct ... and the funkiest.