Showing posts with label Isabella Rosselini. Show all posts
Showing posts with label Isabella Rosselini. Show all posts

Tuesday, June 4, 2019

Review: 'Blue Velvet' Blu-ray


Having begun his career as a pure avant gardist with challenging yet emotionally rich films such as The Grandmother and Eraserhead, David Lynch took an unexpected turn into the mainstream when he made the historical melodrama The Elephant Man and the space opera Dune. With his next feature, Lynch found the perfect balance between his most outrĂ© ideas and the more traditional storytelling that would make him America’s most popular surrealist. Nevertheless, Blue Velvet still split audiences, with some finding his S&M noir deeply compelling while others finding its extreme scenes of sexual sadism repelling.

As is usually the case with Lynch’s films, plot is secondary to style, world-building, and unfiltered emotion, but Blue Velvet is one of his more traditionally sensible stories despite odd elements such as the severed ear that draws clean cut college boy Jeffery Beaumont (Kyle MacLachlan) into the seedy underworld in which repulsive thug Frank Booth (Dennis Hopper) kidnaps the husband and child of nightclub singer Dorothy Vallens (Isabella Rossellini) as leverage for forcing her into humiliating and violent sex acts.

Monday, October 16, 2017

"You're Like Me": The Strange Links Between 'Dr. Jekyll and Mr. Hyde' and 'Blue Velvet'


David Lynch has created some of the scariest moments on film. The infamous scene behind Winkie’s Diner has been rated cinema’s scariest scene more than once. Twin Peaks has been named television’s scariest show. Eraserhead, Lost Highway, Twin Peaks: Fire Walk with Me, INLAND EMPIRE, and, of all things, The Elephant Man have been categorized as horror movies through the years. However, Lynch has never really been a horror film director. Rather he works horror into his work in the same way that he works in comedy and melodrama, and because he does not really make films we expect to hit the beats of specific genres, those moments of humor, naked emotion, and terror always hit harder than they would in genre pictures because they are so unexpected.

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