Having begun his career as a pure avant gardist with
challenging yet emotionally rich films such as The Grandmother and Eraserhead,
David Lynch took an unexpected turn into the mainstream when he made the
historical melodrama The Elephant Man
and the space opera Dune. With his
next feature, Lynch found the perfect balance between his most outré ideas and
the more traditional storytelling that would make him America’s most popular surrealist.
Nevertheless, Blue Velvet still split
audiences, with some finding his S&M noir deeply compelling while others
finding its extreme scenes of sexual sadism repelling.
As is usually the case with Lynch’s films, plot is secondary
to style, world-building, and unfiltered emotion, but Blue Velvet is one of his more traditionally sensible stories
despite odd elements such as the severed ear that draws clean cut college boy
Jeffery Beaumont (Kyle MacLachlan) into the seedy underworld in which repulsive
thug Frank Booth (Dennis Hopper) kidnaps the husband and child of nightclub
singer Dorothy Vallens (Isabella Rossellini) as leverage for forcing her into humiliating and violent sex acts.