Wednesday, August 10, 2016

366 Days at the Drive-In: Day 315


The Date: August 10
The Movie: I Walked with a Zombie (1943)
What Is It?: Val Lewton’s disdain for the supernatural led him to produce a movie called Cat People that probably doesn’t have any cat people and a movie called I Walked with a Zombie that probably doesn’t have any zombies. Rather, the film is a very loose adaptation of Jane Eyre as a romantic familial mystery set on Saint Sebastian, where for a refreshing change, the well-adjusted black majority condescends to the white family falling to pieces on their old sugar plantation. 
Why Today?: On this day in 1902, screenwriter Curt Siodmak is born.

Tuesday, August 9, 2016

Review: 'Cured: The Tale of Two Imaginary Boys'


No one understands the shadowy mystique of The Cure better than Robert Smith, so the press release accompanying a new book about the band probably isn’t merely speculating when it implies that he will never dilute the myth with an autobiography. Yet Cure fans are some of the most hardcore fans out there, and many still want an inside portrait of their favorite band’s story. Drummer/keyboardist Lol Tolhurst, who was The Cure’s only constant member besides Smith from the beginning and through their eighties golden era, is surely the next best candidate to tell that story. Since he’d known Smith since childhood, The Cure’s two constants are also constant figures throughout Cured: The Tale of Two Imaginary Boys. They meet as five-year olds; geek out over Hendrix; attend punk shows together; form their own band, Malice, which morphs into The Cure, which leads them to true cult stardom. The son of an alcoholic father haunted by his experiences during World War II (the elder Tolhurst witnessed the horrifying aftermath of the Rape of Nanking), Lol Tolhurst ultimately followed the path into substance abuse, and his own excessive drinking resulted in his firing from The Cure after making their key album, Disintegration.

There is a grim, often tragic lining to many of the author’s stories, and he begins the book in a morose style perfectly in tune with his band’s tone (“I came into this world the day the music died… The music had died in Horley, the town where I was born, long before that” is a deliciously dark opening salvo). However, he soon moves into a lighter, more conversational, more typical memoir voice, and a number of the stories are downright comical (the time he peed on Billy Idol; the time his band was forced to wing a Tony Orlando song for the orderlies at a hospital staff party; the time he woke up to find himself being assaulted with cabbages, etc.). This drains Cured of its unique voice but is probably more befitting a man in his fifties who has been through the darkness and is now apparently in a much happier place. As its title implies, Cured has a happy ending. Happy endings may not be very Cure-like, but Tolhurst is a man, not a Goth cartoon character, and his book does a good job of scrubbing away the makeup and hairspray to reveal the human being beneath the stage persona. And since he doesn’t get too deeply into stripping Smith to his core, that Cure mystique remains very much in place.

366 Days at the Drive-In: Day 314


The Date: August 9

The Movie: The Cook, The Thief, His Wife, & Her Lover (1989)

What Is It?: Peter Greenaway creates a world that is both beautiful and thoroughly grotesque with haunting music, daring use of color, intricate set design, and realistic performances from the leads that offset the completely stylized look and feel of the film. Helen Mirren plays the wife of a vile restaurant owner (is he a thief? He never really steals anything in the film, but whatever). Mirren’s lover is a bookworm who provides solace from her turd of a husband. A lot of people find The Cook, The Thief, His Wife, & Her Lover simply too disturbing to bear, and it is a pretty gritty film despite its visual beauty. Be prepared for a John Waters-level of vomiting, shit-smearing, rotting food, and all manners of torture.

Why Today?: Today is Book Lover’s Day.

Monday, August 8, 2016

366 Days at the Drive-In: Day 313


The Date: August 8

The Movie: Happiness (1998)

What Is It?: Forget about The Exorcist. You want to see a real horror movie? Check out Todd Solondz’s Robert Altman-meets-The Marquis de Sade epic Happiness. Solondz populates his tale of a mega-dysfunctional family with sadly flailing characters, such as obscene phone-caller Phillip Seymour Hoffman, Jane Adams, who wants to do a little good in a horribly corrupt world and fails miserably, and Dylan Baker as a disturbingly sympathetic monster who provides the film’s most excruciating moments. The final exchange between him and his son may reduce you to tears. It might make you throw up. One thing’s for sure, there’s no way you can watch it without being tremendously affected.

Why Today?: Today is Happiness Happens Day. Not much of it happens in Happiness, though.

Sunday, August 7, 2016

366 Days at the Drive-In: Day 312


The Date: August 7

The Movie: The X-Files: Fight the Future (1998)

What Is It?: Chris Carter’s paranoia was just too big to limit to the little screen, so he gave Mulder and Scully a chance to grapple with aliens, cancer men, and each other in a feature film released between the series’ drab fifth season and its epic yet goofy sixth one. The cinematic allowances of bigger special effects and a couple of cuss words (Mulder says “shit”!) are evident, yet it's still Mulder and Scully’s intimate chemistry that made this movie worth leaving your sofa for.

Why Today?: On this day in 1960, David Duchovny is born.

Saturday, August 6, 2016

366 Days at the Drive-In: Day 311


The Date: August 6
The Movie: Gojira (1954)
What Is It?: Gojira—or Godzilla, as America renamed him—is a product of nuclear energy, specifically the hydrogen bomb tests that awoke him from hibernation in the depths of the Pacific. Anyone who grew up with the full-color schlock fests in which Godzilla stomped Tokyo while wrestling giant moths and super turtles will be shocked by his eponymous debut. This is a moody, black and white requiem that draws some pretty explicit correlations between the horrible destruction Gojira wreaks on Odo Island and the horrible destruction America rained down on Hiroshima and Nagasaki less than a decade earlier. Gojira is a sad and angry invective hailing from a country that still had much to be sad and angry about.
Why Today?: On this day in 1945, Hiroshima suffers an atomic bomb attack from the U.S.

Friday, August 5, 2016

Review: 'The Impossible Has Happened: The Life and Work of Gene Roddenberry'


One of the interesting things about Gene Roddenberry’s original Star Trek was that there were often several things going on at once. It could be a bit campy and a bit intellectual, a bit solemn and a bit adventurous, a bit profound and a bit overly simplistic, a bit progressive and a bit stuck in outdated ideas about gender. Lance Parkin’s The Impossible Has Happened: The Life and Work of Gene Roddenberry has several things going on at once too. It’s a bit of a biography of the series’ creator, a bit of a history of the show, a bit of a making-of account, and a bit of a cultural analysis of the series’ themes and point of view.

Parkin has some trouble tying together all the various strands dangling from his book. It basically begins as a biography, though one that covers the first twenty-five years of Roddenberry’s life in three paragraphs, before settling down to pore over his projects. As it should be, the main focus is the original Star Trek series, but Parkin also gets into Roddenberry’s single-season military drama “The Lieutenant”, the loathsome-sounding feature Pretty Maids All in a Row, the Star Trek animated series, the feature films, “The Next Generation”, and several projects that didn’t get beyond a pilot.

Parkin also spends a lot of time discussing Roddenberry’s tendency to spin myths about his work, philander, and reduce women to mini-skirted sex objects on his show. The chapters on the Star Trek series, which deal with its themes more than its creation, fixate on how often it failed to live up to the progressive/Utopian vision Roddenberry and many fans believed it delivered. They do so at the expense of all else to the point that one suspects the author has an axe to grind even if his analysis is astute. He returns to the series’ mishandling of gender in a chapter ostensibly about Star Trek fans even though it does not have much to do with that particular topic. This tendency to retread ground reaches odd extremes in a couple of instances in which Parkin repeats the same information nearly word-for-word in a single passage. For example, on page 182, Parkin writes, “The animated series was in the works and providing a useful income for very little effort.” Four sentences later, he writes, “The Star Trek animated series was providing a useful income for very little work.”

Parkin gets his Enterprise back on course when he gets to the production of the feature films. The remainder of the book, which also deals with Star Trek: The Next Generation and how the Star Trek universe has continued after Roddenberry’s death, are more like straightforward making of/historical accounts, and they are the most focused and compelling chapters. The Impossible Has Happened would have been better if the entire book had that same focus, though like so much of Star Trek, it is a bit messy yet rarely uninteresting.

366 Days at the Drive-In: Day 310


The Date: August 5

The Movie: Curse of Frankenstein (1957)

What Is It?: The Curse of Frankenstein fully established the Hammer conventions: excessive blood, sleazy sex, and source material with roots in Universal horror. Screenwriter Jimmy Sangster jettisons much of what made James Whale’s movie great. Frankenstein was a poetic, deeply humane portrait of a monstrous innocent driven to horrendous acts after being abandoned by his equally sympathetic creator. The Curse of Frankenstein is a portrait of cruelty. Focus shifts away from the Monster and onto the doctor, who is more villainous than any horror character since Mamoulian’s Hyde, and like Hyde, he is not without his charms because he is played with electrifying gusto. Peter Cushing is great in the title role, magnetic even as he murders a kindly house guest, launches into megalomaniacal rants, or torments the maid with whom he’s having an affair.

Why Today?: This is the date in Mary Shelley’s book that Robert Walton finds Frankenstein’s sledge.

Thursday, August 4, 2016

366 Days at the Drive-In: Day 309


The Date: August 4

The Movie: El Topo (1970)

What Is It?: The very first midnight movie is a surreal cowboy movie about a soulless gun slinger who evolves into a holy man played by filmmaker Alejandro Jodorowsky. Everything that would distinguish midnight movies, and many cult movies to follow, is present in El Topo—the violence, the sex, the bizarre imagery, the dreamlike pace, the mannered acting, and the shattering of genre. Although El Topo has all of the trappings of the classic western, it’s more of an avant garde film with a surplus of Buddhist and Sufi symbolism. El Topo is also tremendously pretentious, but charmingly so, and the fact that it started perhaps the most important cinematic movement of the 1970s helps it to transcend those pretensions.

Why Today?: It’s 8/4. 8 + 4 = 12, as in 12:00 midnight. Pretty clever rationale, eh?

Wednesday, August 3, 2016

366 Days at the Drive-In: Day 308


The Date: August 3
The Movie: Cane Toads: An Unnatural History (1988)
What Is It?: Mark Lewis’s outrageous short documentary tells the wild tale of how a variety of bulbous toads were set loose in Australia to control pest beetles in sugar cane fields and ended up turning the ecosystem upside down. The various ways the locals react to the amphibious menaces is the hilarious heart of the film, though some get too cruel by several hops.
Why Today?: On this day in 1935, cane toads are first set loose in Australia.
All written content of Psychobabble200.blogspot.com is the property of Mike Segretto and may not be reprinted or reposted without permission.